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You can view the lyrics, alternate interprations and sheet music for Madonna's American Pie at Lyrics.org.
Lyrics
A long, long time ago
I can still remember
How that music used to make me smile
And I knew that if I had my chance
I could make those people dance
And maybe they’d be happy for a while
Did you write the book of love?
And do you have faith in God above?
If the Bible tells you so
Now do you believe in rock and roll?
And can music save your mortal soul?
And can it teach me how to dance real slow?
Well, I know that you’re in love with him
‘Cause I saw you dancin’ in the gym
You both kicked off your shoes (both kicked off your shoes)
Man, I dig those rhythm and blues
I was a lonely teenage bronkin’ buck
With a pink carnation and a pick-up truck
But I knew that I was out of luck
The day the music died
I started singing
Bye bye, Miss American Pie
Drove my Chevy to the levy
But the levy was dry
And good old boys were drinking whiskey and rye
Singing this will be the day that I die
This will be the day that I die
I met a girl who sang the blues
And I asked her for some happy news
But she just smiled and turned away
Well, I went down to the sacred store
Where I heard the music years before
But the man there said the music wouldn’t play
Well now, in the streets the children screamed (the children screamed)
The lovers cried and the poets dreamed (the poets dreamed)
But not a word was spoken (not a word was spoken)
The church bells all were broken
And the three men I admire the most
The father, son, and the holy ghost
They caught the last train for the coast
The day the music died
We started singing
Bye bye, Miss American Pie
Drove my Chevy to the levy
But the levy was dry
And good old boys were drinking whiskey and rye
Singing this will be the day that I die
This will be the day that I die
Bye bye, Miss American Pie
Drove my Chevy to the levy
But the levy was dry
And good old boys were drinking whiskey and rye
Singing this will be the day that I die
This will be the day that I die
We started singing
We started singing
We started singing
We started singing
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In 2000, Madonna covered a song that had already etched its place in the eternal hall of music history: ‘American Pie’ by Don McLean. Originally released in 1971, the track is a rich tapestry of cultural references wrapped in a seemingly nostalgic remembrance of the ‘good old days’ of music. Madonna’s version brought a contemporary twist to this classic, reinvigorating its narrative for a new generation.
Madonna’s interpretation can often be seen as a time capsule, capturing the essence of a transitioning millennium marked by introspection and change. This analysis dives deep into the nuance of her rendition, exploring the layers and asking the all-important question: What does ‘American Pie’ mean when sung from the Queen of Pop’s perspective?
Nostalgia Amplified: The Genesis of ‘American Pie’
The opening lines of ‘American Pie’ are a call to the days gone by, a reflection on the simple joy music once brought to our narrator. When Madonna croons these lines, she’s not just remembering the music; she’s invoking the ethos of a bygone era, in which the power of song held the capacity to unite and elevate the spirits of the masses.
Madonna’s cover is drenched in this reflective sentiment, adding a layer of personal yearning. As one of pop culture’s most enduring figures, her vocals carry with them the weight of her own storied history, adding a personal twist to the song’s sense of longing.
Love, Faith, and Rock ‘n’ Roll: The Trinity of The Times
The lyrics throw poignant questions about love, faith, and the power of rock and roll. They have historically encompassed a broader commentary on cultural shifts. Madonna’s take, rendered at the dawn of the new millennium, echoes these queries as an exploration of what anchors us in periods of transition—suggesting that perhaps it is love, faith, and the enduring spirit of music that guide us through.
Especially in an era increasingly defined by digital detachment, Madonna’s rendition offers a plea, a beacon calling back to a time when music was not just background noise but a force capable of saving souls and teaching us the patience and connection found in dancing slowly with another.
The Heartbreaking Mourn: When The Music Wouldn’t Play
In the line ‘But the man there said the music wouldn’t play’, Madonna draws us into a moment of profound silence, where the place that once housed melodies and dreams now echoes with their absence. It strikes a chord with listeners who have witnessed the closure of iconic music venues or the fading genres that shaped their formative years.
Her interpretation of these lyrics serves to remind us of music’s impermanence, but also draws attention to the cyclical nature of culture—how what fades away paves the route for what is to come. Madonna, whose career has straddled numerous musical evolutions, embodies this cyclical narrative impeccably.
The Sublime Elegy: ‘The Day the Music Died’
Madonna’s repetition of the refrain ‘The day the music died’ might hark back to McLean’s original reference to Buddy Holly’s death. However, in her rendition, the phrase expands to symbolize every moment the music we love slips away from the public consciousness, or from our own personal lives.
As she repeats the lament, there’s almost a prophetic warning woven into the fabric of the track—it’s as if she’s singing both an ode to the past and a premonition of a future where the ‘good old boys’ and their simple delights may no longer find a home.
A Timeless Closure: ‘We started singing’ Echo Into Infinity
As the song culminates in the chorus sung multiple times, Madonna captures a feeling of community and the timeless act of coming together in song. When the lyrics evolve from ‘I started singing’ to ‘We started singing’, it underscores a collective experience, a shared history, memorialized through music.
This isn’t just about the end of an era; it’s about the endurance of shared cultural memories. Despite the ebbs and flows of the music industry and the changes in societal fabric, the act of singing—a unifying ritual since time immemorial—persists, suggesting that as long as there is a ‘we’, music, and what it stands for, will never truly die.
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